Buildings, although inanimate, are often assumed to have "life." And the architect, through the act of design, is assumed to be their conceiver and ...
In 1961, a solo exhibition by Argentine-Italian artist Lucio Fontana met with a scathing critical response from New York art critics. Fontana (1899--1968), well ...
Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, ...
Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and ...
Artists increasingly refer to 'post-object-based' work, while theorists have returned to the study of material artefacts in culture. In higher education and museums a ...
It was at Black Mountain College that Merce Cunningham formed his dance company, John Cage staged his first "happening," and Buckminster Fuller built his ...
Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving ...
As the American environmental movement emerged in the 1960s and 1970s, ecological perspectives also emerged in art. But ecological artworks were not limited to ...
What was once the factory is now the university. As deindustrialization spreads and the working class is decentralized, new means of social resistance and ...
Jeffrey Kipnis's writing, thinking, and teaching casts architecture as both an intellectual discourse and a lived, affective experience. His essays on contemporary architects are ...
After World War II, a second modernism emerged in architecture -- an attempt, in architectural scholar Joan Ockman's words, "to transform architecture from a ...
Architecture never goes entirely according to plan. Every project deviates from its designers' expectations, and wise architects learn to anticipate, mitigate, and sometimes celebrate ...